The Central Pavilion at the Giardini della Biennale has reopened ahead of the Venice Art Biennale following an extensive architectural intervention led by Arianna Laurenzi and Cristiano Frizzele. Rather than pursuing a conventional restoration, the project redefines the historic structure as a flexible exhibition environment while retaining its architectural identity.
Reframing a Historic Exhibition Space
Instead of restoring the Pavilion to a fixed historical moment, the design introduces a layered spatial system that supports varied curatorial approaches. At the center of this transformation, Sala Chini now operates as a distribution hub, guiding visitors into a sequence of neutral galleries. Consequently, the building achieves greater spatial legibility while accommodating diverse exhibition formats.
At the same time, the intervention preserves key architectural elements. Notable restorations include the original window systems by Carlo Scarpa, which reestablish material continuity with the Pavilion’s modernist legacy. Similarly, Sala Brenno del Giudice has been returned to its 1928 configuration, thereby reinforcing the building’s historical narrative.
Moreover, the project strengthens the Pavilion’s relationship with its surroundings. Openings toward the canal-facing terrace have been reinstated, allowing visual and physical connections to the landscape. In addition, two rooftop structures inspired by traditional Venetian altane introduce elevated vantage points while maintaining architectural balance. These additions, constructed from charred laminated wood and X-LAM panels, extend the building’s spatial experience vertically.
Infrastructure, Sustainability, and Design Integration
Beyond spatial reorganization, the renovation integrates environmental and technical systems into a cohesive architectural framework. Skylights fitted with photovoltaic and diffusing glass now provide both natural illumination and energy efficiency. As a result, the Pavilion reduces reliance on artificial lighting while enhancing exhibition conditions.
Furthermore, operable elements enable controlled ventilation and shading, ensuring adaptability across seasonal and curatorial needs. Infrastructure has been embedded within walls and roofing systems, which preserves the clarity of interior spaces. Therefore, technical performance and architectural expression remain closely aligned.
These strategies collectively position the Pavilion within contemporary sustainability standards. By prioritizing material efficiency and environmental control, the project reflects broader shifts in exhibition design toward responsible construction and long-term adaptability.
Institutional Context and Future Programming
The renovation was overseen by the Biennale’s Special Projects Department under Arianna Laurenzi and Cristiano Frizzele. Designed by Labics in collaboration with Fabio Fumagalli, the intervention was funded through Italy’s National Recovery and Resilience Plan. Consequently, the project aligns cultural infrastructure with national investment in sustainability and innovation.
With its reopening, the Pavilion resumes its role as the Biennale’s central hub. Its first exhibition, In Minor Keys, curated by Koyo Kouoh, will open on May 9, 2026. As a result, the renewed space will immediately serve as a platform for contemporary curatorial practice, bridging historical architecture with current artistic discourse.