Located in the Opportunity District across from China’s Pavilion and facing Sunrise Plaza, a large artwork titled Hammour House, by Australian artist Sue Ryan, prompts any passerby to stop and marvel at the work’s incorporation of intricately layered fishnets that were previously discarded in the ocean, as well as other debris from the sea.
The sculpture is one of three art installations that make up the community art project called Hammour House. The other two works include a vibrant tapestry by UAE-based schoolchildren made using batik technique and sustainable dyes created by Dubai-based muralist Steve Chambers, and an ever-expanding coral reef sculpture that will come into fruition over the course of Expo 2020’s six-month existence through artistic contributions of visitors who attend various art and teacher-led workshops staged by Hammour House.
The curated community art project brings together fishermen, scientists, artists and various institutions to champion better care for local marine life. Its aim is to raise awareness for hammour and grouper fish — among the overfished species in the UAE that are now endangered. Coral reefs are the main habitat for endangered fish indigenous to the UAE and due to the destruction of the marine ecosystem, they too are now under threat of extinction.
The project draws its curatorial inspiration from the 1001 Nights story of Abdullah the Fisherman and Abdullah the Merman. As the story goes, a poor fisherman named Abdullah, who had a large family, was suddenly unable to catch any fish. After he was encouraged by his wife, he cast his net again and this time pulled out a merman who was also called Abdullah. The two became partners and suddenly there were abundant fish stocks for the local fishermen. The moral of the story, as the Expo 2020 community art project emphasizes, is that creatures of the land — humans — must work with creatures of the sea, fish and coral reef to ensure a sustainable environment for all.
