Expo City Dubai is home to the Firdaus Studio, the world’s most advanced recording studio, and the Firdaus Orchestra, a pioneering all-female ensemble mentored by the internationally renowned composer A.R. Rahman. Established under the guidance of Her Excellency Reem Al Hashimy, CEO of Expo City Dubai, the orchestra made a significant debut at Expo 2020 Dubai, showcasing the magic of orchestral music to the region and inspiring a new generation of musicians in the Middle East. This feature in Magzoid Magazine offers an in-depth interview with Monica Woodman, conductor of the Firdaus Orchestra. Through her lens, we explore the orchestral journey, from selecting repertoires and preparing for performances to envisioning the ensemble’s impact on the global music scene and empowering women in the field of music.
Could you share with us your journey to becoming the conductor of the Firdaus Orchestra?
When Firdaus contacted me, I was already based in Dubai as a freelance musician, so imagine my excitement when getting called to conduct an all-female orchestra in the UAE for a full-time position. It’s a dream come true. I feel humbled and honored every day to be part of this extraordinary initiative by Her Excellency Reem Al Hashimy and Expo City Dubai
What inspired you to pursue a career in music, and specifically in conducting?
Music has been an integral part of my entire existence. I started my full-time career as a musician at 7 years old, so I have been around art for as long as I can remember. I have seen with my own eyes and through years of experience that music is a powerful source that unites humanity.
My journey took a profound turn after seven years of piano studies when I witnessed a little girl conducting an imaginary choir in front of a mirror at my music school. In that moment, something within me changed forever. I said to myself, This is what I want to do! Thus began my four-year venture at The Conservatory, specializing in choir conduction. Upon completion, I eagerly undertook the exams that paved the way for my Master’s in Symphonic Orchestra Conduction. I got selected and studied it for 5 years under the mentorship of Maestro Guido López Gavilán.
How does leading the all-woman Firdaus Orchestra influence your approach to music?
Nothing changes in music, whether it’s a mixed or an all-female orchestra. Music, being an art form, transcends gender distinctions. However, Firdaus possesses a captivating fusion of cultures and educational backgrounds that renders it truly exceptional when compared to other symphonic orchestras globally. Our orchestra comprises 26 nationalities, coexisting harmoniously, resulting in a sound that is subtly distinct from others and ultimately unique.
Can you share a memorable moment from your time with the orchestra?
“Disney Princess: The Concert” was an unforgettable experience. It transported us back to our childhoods, surrounded by an audience filled with children joyously living their dreams as they witnessed the princesses they’ve admired on TV, now brought to life on stage. The concert was a deeply emotional journey, very well curated and executed by our team, creating a magical and enchanting atmosphere.
How do you choose the repertoire for the Firdaus Orchestra?
Selecting the repertoire is a collaborative process, not solely at the discretion of the conductor. Typically, a symphonic orchestra’s musical director, in conjunction with the head of the orchestra, manager, and conductor, chooses pieces tailored to each concert, event, or recording. In the case of Firdaus, this decision-making involves a collective effort between the Firdaus Orchestra, our mentor AR Rahman, and myself. It takes into account various factors to ensure a thoughtful and harmonious selection.
How do you prepare for a performance?
Preparation is key for every concert and recording. It’s during rehearsals that the magic happens and creativity unfolds. The process demands extensive research, in-depth studies, and a profound comprehension of the composer’s vision. Aligning my vision with theirs requires time, dedication, and a meticulous approach to breathing life into the music, fostering a collaborative engagement with the orchestra throughout this transformative process.
Can you tell us about the vision you have for the orchestra and its role in the global music scene?
I have big dreams for Firdaus, I see Firdaus changing the music scene in the country and expanding worldwide. I see Firdaus preparing the next generation of musicians in this country and being the foundation of art in the UAE.
What advice would you give to young women aspiring to careers in music?
I would encourage aspiring musicians to pursue their dreams passionately, practice every day, and believe in themselves. I would also encourage parents to actively support their children when they see a passion for music and art. Their support is essential for them. We wouldn’t be here if it weren’t for our parents believing in us.
Who are some of the women who have inspired you in your life and career?
My role models as conductors have only been men. Unfortunately, during the time I was studying and graduating, I didn’t know many female conductors in the scene that were that well known. So my inspirations were always, Dudamel, Claudio Abbado, Daniel Barenboim, and Karajan. Luckily for all of us, women are now changing the scene of orchestral conduction, and I’m very inspired by Alondra de la Parra, who I believe is going to make huge contributions to change the narrative around female conductors. In addition to Alondra, I am also heavily inspired by Marin Alsop and Karina Canellakis.
How do you envision the future of women in music?
I hope for and envision a future of equality, full of opportunities for women of all ages who are qualified to lead, create, and inspire the world with their art.
Emphasizing collaboration, innovation, and the pursuit of artistic excellence, Monica’s leadership and the orchestra’s unique composition underscore the transformative power of music. As the Firdaus Orchestra continues to perform and inspire, its story remains a testament to the enduring impact of cultural diversity, musical education, and the empowerment of women in the arts. This narrative not only celebrates the achievements of an exceptional group of musicians but also casts a hopeful look toward a future where such initiatives continue to flourish and shape the music industry worldwide.
