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You are at:Home»News»National Pavilion UAE’s Mohamed Ahmed Ibrahim: Between Sunrise and Sunset exhibition comes to a close with a record number of visitors at La Biennale di Venezia
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National Pavilion UAE’s Mohamed Ahmed Ibrahim: Between Sunrise and Sunset exhibition comes to a close with a record number of visitors at La Biennale di Venezia

December 5, 20225 Mins Read
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National Pavilion UAE’s Mohamed Ahmed Ibrahim: Between Sunrise and Sunset exhibition comes to a close with a record number of visitors at La Biennale di Venezia
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The National Pavilion UAE closes its seventh participation at the Biennale Arte, with a record number of visitors to its exhibition, Mohamed Ahmed Ibrahim: Between Sunrise and Sunset. Inaugurated in April 2022 by Her Excellency Noura Al Kaabi, the UAE’s Minister of Culture and Youth, the exhibition saw 277,203 visitors, making it the most visited show produced by the National Pavilion UAE at La Biennale di Venezia to date.

Laila Binbrek, Director of National Pavilion UAE – La Biennale di Venezia said, “The National Pavilion UAE’s exhibition this year was received positively by local and international audiences. This is evident from the record number of visitors the Pavilion saw and the conversations around the exhibition narrative itself. Mohamed Ahmed Ibrahim: Between Sunrise and Sunset resonated with the audience emotionally, and it reflects our commitment to telling the untold stories of the UAE through the lens of art and architecture. We look forward to next year’s exhibition at Biennale Architettura 2023, which will be curated by Faysal Tabbarah, Associate Dean and Associate Professor of Architecture at the American University of Sharjah. Tabbarah and his team aim to explore the relationship between architecture and arid landscapes in the UAE and reimagine them as spaces of abundance and productivity.”

Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presented a significant new work by Emirati artist Mohamed Ahmed Ibrahim – a single work in which dozens of human-sized, biomorphic sculptures cluster in undulating color and movement—suggesting bodies or trees, metamorphosis, and mutation.

Maya Allison commented, “Today in the UAE, anyone with a sense of curiosity can look at art. This thriving creative scene is possible in part due to the work that Mohamed and his artistic community have done over the decades. What he has brought to Venice for the UAE Pavilion shows his complete commitment to exploration, curiosity, and our interconnectedness through art — the very characteristics that I love about the UAE’s art scene.”

The commissioned artwork is derived from the artist’s deep connection to the physical environment of his hometown of Khor Fakkan – a city at the edge of the rocky Al Hajar mountains where they meet the waters on the east coast of the Emirate of Sharjah in the UAE. The exhibition responded to the theme of the 59th International Art Exhibition of La Biennale di Venezia titled, The Milk of Dreams, curated by Cecilia Alemani, which focuses on the connection between bodies, the earth, and metamorphosis. The International Art Exhibition presented 58 National participations with 5 from the region, namely, the Sultanate of Oman in their inaugural participation, Saudi Arabia, Egypt, Lebanon, and Syria.

Mohamed Ahmed Ibrahim said, “Representing my country in the Venice Biennale, one of the most international and prestigious platforms for the arts, was a great honour for me. It was a huge responsibility to have my work act as a conduit through which the world could see the diversity and dynamism of the Emirati arts scene. I chose to highlight my authenticity in my artwork to encourage the next generation of artists in the UAE to embrace their originality and never lose their individuality as they go on to become the future of arts in the Emirates.” 

The exhibition’s accompanying publication, Mohamed Ahmed Ibrahim: Between Sunrise and Sunset / Works 1986-2022, covers the years of in-depth research and personal interactions with the artist from regional and international cultural vanguards that have helped trace his rise as one of the leading experimental artists of the UAE.

The publication is co-edited by Maya Allison and Cristiana de Marchi, artist, curator, and poet. With extensive essays from scholars, curators, and fellow artists. Published by Kaph Books it is available for purchase through Amazon and is retailing for €35 or AED 130.

The 2022 National Pavilion UAE saw the participation of 22 interns, who were overseeing the daily operations of the pavilion throughout the Biennale. The Venice Internship program offers hands-on experience, where interns spend one month in Venice staffing the UAE’s art and architecture exhibitions at La Biennale di Venezia and overseeing the daily operations of the exhibition. The program is open to Emiratis and long-term residents of the UAE aged 21 and above with an interest or background in arts, architecture, diplomacy, international relations, or representing the UAE on a significant global platform. The interns are selected through an open call. 

Mohamed Ahmed Ibrahim: Between Sunrise and Sunset marks Ibrahim and Allison’s fifth collaboration. The retrospective book publication is the third book that Allison has worked on that studies Ibrahim’s work. For those who want to see the exhibition, a virtual tour remains available on the National Pavilion UAE website, nationalpavilionuae.org.

The National Pavilion UAE is commissioned by the Salama bint Hamdan Al Nahyan Foundation and supported by the Ministry of Culture and Youth, with a permanent pavilion at the Venice Biennale’s Arsenale – Sale d’Armi. For more information on the participation of the UAE at La Biennale di Venezia, please visit nationalpavilionuae.org.

La Biennale di Venezia Mohamed Ahmed Ibrahim national pavilion UAE
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