Saudi Arabia has lost one of its most cherished artists, Safeya Binzagr, who passed away on September 12 at the age of 84. Known as the “mother of Saudi art,” Binzagr’s work left a lasting impression on the cultural landscape of the Kingdom. Her death prompted an outpouring of tributes from art institutions, artists, and former students.
Among those who paid tribute was Swiss curator and art critic Hans Ulrich Obrist, who shared a handwritten note from Binzagr, written in 2022, that simply stated: “If you have the will, you will.” These words reflect Binzagr’s own life—a life defined by perseverance, creativity, and dedication to her art.
Born in Jeddah’s Harat Al-Sham neighborhood in 1940, Binzagr had the rare opportunity to see the world at a time when such experiences were uncommon for Saudi and Arab women. At seven, her family relocated to Egypt, where she completed her education before moving to England for finishing school. In 1976, she graduated from the prestigious St Martin’s School of Art in London with a degree in drawing and graphics.
In 1968, Binzagr made history alongside fellow artist Mounirah Mosly by holding Saudi Arabia’s first art exhibition for women at the Dar at-Tarbiyah al-Haditha School in Jeddah.
This groundbreaking event was the beginning of a prolific career that saw her works displayed across the globe—from Jeddah to Geneva, from Riyadh to Paris.
Binzagr was more than just a talented painter; she was a dedicated chronicler of Saudi life and culture. Her paintings portrayed everything from traditional wedding ceremonies to children’s games, and her architectural pieces captured the essence of old Jeddah. As Saudi Arabia modernized, Binzagr’s art served as a poignant reminder of the country’s rich cultural heritage.
One of her most famous works, the 1969 painting “Al Zabun,” is often referred to as “The Mona Lisa of Hijaz.” The artwork depicts a woman wearing a bright yellow gown, adorned with intricate details that echo Saudi traditions. Darat Safeya Binzagr, the cultural center founded by the artist, describes the painting in great detail, noting the symbolic elements of the woman’s attire, including silver, gold, or diamond buttons and her intricately braided hair.
The artist’s influence extended far beyond her own canvases. In 2000, she established Darat Safeya Binzagr, a cultural center in Jeddah that has educated countless aspiring artists.
This institution, founded on Binzagr’s generosity and commitment to fostering creativity, has become a cornerstone for Saudi art education.
One former student, artist Daniah Alsaleh, reflected on Binzagr’s mentorship, saying: “I had the privilege of studying at Safeya Binzagr’s atelier from the early 2000s until around 2008. Safeya created a unique space where students could immerse themselves in the principles of drawing and painting, something that was quite rare at the time. Her passion extended beyond art—she was a dedicated collector of traditional Saudi costumes, tea cups, and various artifacts, and had a remarkable eye for beauty.”
Alsaleh continued: “Safeya also opened her extensive art library to the public, fostering a sense of community and education. I am incredibly grateful for the impact she had on my artistic journey. Safeya was a true pioneer, dedicated to both art and education, and her contributions will continue to inspire many.”
Binzagr’s remarkable career and her enduring influence on Saudi art will be remembered for generations. From her intricate depictions of Saudi life to her dedication to education, she leaves behind a legacy that celebrates the beauty of her homeland’s traditions.
