Subodh Kerkar, a 64-year-old artist, began his journey from a medical career running a hospital in Goa 35 years ago. He transitioned to art, evolving from someone with skills into a conceptual artist who uses history as a cornerstone of his work. His activism, which started as a student, continues to influence his beliefs, and he advocates for contemporary art in India. Kerkar is the founder of one of the largest private contemporary art spaces in the country, a sustainable venture welcoming hundreds of visitors daily. His dream now includes setting up an Indian Ocean museum, celebrating the rich history and connections that span this vital trade route.-Description
Throughout your artistic journey, have you discovered a particular medium that continually captivates your interest, compelling you to revisit and explore it time and again?
In the beginning, I primarily worked with watercolors and acrylics, but over time, I’ve found that every material can be my medium. I started using recycled materials, like old diaries, when I observed people littering plastic bottles. I felt compelled to convey a message against littering, so water bottles became an unexpected medium for my art. I’ve experimented with various materials – tires, scrap, you name it. Sometimes the medium guides the theme, and other times, the theme directs me to the medium. It’s a two-way street.
Can you recall a specific project from your career as an artist that stands out as a turning point? A project that brought you a great sense of accomplishment and perhaps altered your perspective on your work in a significant way?
Throughout my artistic journey, I’ve come to realize the profound impact of combining art with activism and storytelling. One project that stands out as pivotal in my career is the creation of a history museum unlike any other. In traditional history museums, you encounter relics, texts, and costumes from the past. However, my museum is unique in that it exclusively features contemporary works of art, each meticulously selected to narrate historical stories. This approach has become a major focus in my work, and I aim to continue developing similar museums. In the future, I envision projects like a beer museum and a children’s museum, with a grand dream of establishing an Indian Ocean Museum, highlighting the rich history and culture of the Indian Ocean region.
As someone deeply involved in museums and activism, you’ve witnessed the art world from a distinctive vantage point. Amidst the rich tapestry of India’s art scene, what are your key observations and reflections?
We have numerous highly talented artists, particularly in places like Goa, despite the limited population. However, there’s a glaring issue: the scarcity of platforms for these artists. The problem extends to art education. When I mention that only a fraction of the population connects with contemporary art, I’m highlighting the lack of art education, which is crucial for cultivating an informed art community and a thriving art market. In our country, art selection in public spaces is often done by government officials who lack the necessary knowledge and expertise. This leads to the fundamental problem that we lack leaders with a deep understanding of art and curatorial skills. The solution lies in having qualified art curators make these decisions, which, unfortunately, is not the norm. This shortage of platforms and a disconnect between those in leadership positions and the art world remains a significant challenge.
Looking forward, your impact on the art world is undeniable. Beyond the remarkable museum projects you’re involved in, can you share any personal projects or ventures on the horizon that you’re currently dedicating your creative energy to?
My mission revolves around making a significant impact on the world of art and culture. I’m not just focused on running a museum; it’s just a starting point. My true passion lies in providing platforms for emerging artists to showcase their work, supporting various art projects, and creating unique cultural spaces.
One of my dream projects is the Indian Ocean Museum, celebrating the rich history of the region. I also envision a forest sculpture park, where art seamlessly integrates with nature for a unique experience.
I’m committed to art education and spreading awareness. Through museums like the Museum of Goa and potentially the Museum of Delhi or Bombay, I aim to highlight the history of these places and inspire new art.
In essence, my mission is to create, inspire, and educate through the world of art and culture.
What is the underlying message or theme that you aim to convey to your audience through your work and projects?
I believe the message is rather straightforward. In whatever form of art or creative endeavor you pursue, it’s vital to be sincere and authentic. While you might create something for commercial purposes, you should always be conscious that this is your livelihood, not necessarily your artistic expression. Artistry requires continuous evolution, learning, and thinking.
Art isn’t merely a matter of skill; it’s about intellect, ideas, and thoughtful expression. Having the technical skills is like understanding grammar; it’s essential but not sufficient to be a writer. To be an artist, you must have something to convey, a message to share.
Artists should inherently be political, in the sense that they engage with and reflect upon society and its complexities. Artists serve as receptors, sensors, and transmitters of ideas in a community. Their role is significant, and most of what artists create contributes to a broader commentary on the world.
As our audience comprises many enthusiastic young readers and artists, what wisdom or guidance would you like to share with them, considering your extensive experience and artistic journey?
To the younger generation and aspiring artists, I’d like to offer some advice. First and foremost, stay in touch with your inner self, be sensitive to your emotions and thoughts. Secondly, just as a singer should listen to other singers and a writer should read other writers, as an artist, it’s essential to connect with and appreciate the work of your fellow artists. Keep an open mind. Sometimes, it’s necessary to reset your preconceived notions, like putting your head in a washing machine and starting with a clean slate. Lastly, don’t get caught up in the competitive mindset of trying to be the number one or number two artist. Art is not a competition among humans; it’s an expression of your unique self. So, create with sincerity, absorb new experiences, and continue learning on your artistic journey.