“We hope that visitors will say that this Gallery, with its Sculpture Garden on the banks of Lake Burley Griffin, is a piece of art in and of itself.” — Gordon Darling, 1982, Chairman of the Australian National Gallery. Vision: In celebration of the National Gallery of Australia’s 40th anniversary, art, architecture, and the institution are launched to tell the tale of how it came to be one of the nation’s most remarkable structures.
Col Madigan, a trailblazing architect who also created the Edwards Madigan Torzillo and Briggs studio, created the National Gallery of Australia. The structure honors Col Madigan’s intricate masterpiece with a significant essay written by Professor Philip Goad, an internationally renowned architectural historian. It is a daring fusion of the sculptural and the practical. This book offers a wealth of knowledge on the National Gallery building and its creator, in addition to never-before-seen photographs from the Gallery’s photography vault, including those by renowned Australian photographers David Moore and Max Dupain.
Nick Mitzevich, director of the National Gallery, sees the Vision project as a celebration of the history of the structure, from its beginnings on Ngunnawal and Ngambri territory to its current position as one of the most well-known art galleries in the world.
Among our main collection institutions, “The National Gallery of Australia is exceptional in that it was founded during the twentieth, rather than the nineteenth century,” said Mitzevich.
The National Gallery of Australia building’s conception and construction are depicted in Vision, which has been controversial since it first opened. According to Goad, a specialist in contemporary Australian architecture, the structure possesses all the characteristics of a Promethean struggle.
The National Gallery has a history that is distinct from that of most other structures. Although it was conceptualized in the 1970s, the public wasn’t allowed access to it until the more traditional 1980s. Goad said, “It’s interesting looking at all the numerous ways that the National Gallery has inspired art. Some people have had problems comprehending or appreciating this history.
The Wierdi and Birri Gubba people provide a preface to this exquisitely crafted book, which also includes views from National Gallery curators Lucina Ward and Simeran Maxwell on the Gallery’s inaugural show, which was organized by John Warwicker. Anyone who is interested in Aboriginal art and culture should read this book.
The exhibition Vision will provide a fascinating and educational look at the development of the structure over time. It will be a fantastic attraction for Australian history buffs, art lovers, and fans of architecture alike.
The National Gallery expresses gratitude to the Foundation Board directors who generously contributed to the Foundation Board Publishing Fund in order to make this publication possible. Our ability to publish significant academic work and works of art thanks to this assistance that help us learn and explore the world around us.
