Simon Mortimer, a British artist based in Riyadh, is creating vibrant works that delve into Saudi Arabia’s evolving pop culture. His mixed-media pieces reflect the intersection of contemporary Saudi society and Mortimer’s fascination with Arabic imagery and language.
Mortimer, who has lived in the region for several years, incorporates local motifs such as coffee pots, falcons, and the Sharbatly fruit label into his art. “I love to explore the popular culture of a place,” Mortimer said. “You immediately see these interesting images, logos, and adverts. I love the visuals and the aesthetics, and I often don’t understand what they mean, especially when the labels are in Arabic.” Mortimer, who doesn’t speak Arabic, often uses Google Translate to grasp the meanings of the words he incorporates, appreciating the forms and beauty of Arabic letters.
Mortimer’s recent works are part of an exhibition titled The Limits of My Language Are the Limits of My World at the Media Majlis Museum in Doha.
This exhibition, which runs until December 5, explores the historical and contemporary significance of the Arabic language. It invites viewers to reflect on Arabic’s influence and question its place in the future. Mortimer’s pieces contribute to this dialogue, offering insights from the perspective of a non-Arabic speaker engaging with the cultural and linguistic nuances of the region.
Having previously been an artist-in-residence at the Fire Station in Doha, Mortimer is no stranger to the Middle East. His career has taken him from the UK to various countries, including the Philippines, Greece, and Spain. He has exhibited in several international venues, gaining recognition for his ability to combine traditional and modern media in his art.
Mortimer’s creative process involves layering both literal and metaphorical elements, using a blend of oil paint, acrylic, spray paint, and stencils. His work juxtaposes traditional techniques with modern methods, challenging the boundaries between high and low art.
Beyond his artistic practice, Mortimer also teaches art at a high school in Riyadh, drawing inspiration from his students. “They tell me about the cartoons and the sports they watch, and introduce me to popular culture in Saudi and discuss the changes taking place in the Kingdom,” he said. “I’ve learned so much through them.”
The Doha exhibition tackles four main themes: the complexities of Arabic, its global influence, its portrayal in the media, and its future in a world dominated by English. Mortimer’s works engage with these topics, reflecting his experiences in Saudi Arabia and Qatar, and inviting viewers to consider the role of language in shaping identity and culture.
