At Milan Design Week 2026, Visionnaire presented a new collaboration with NM3, transforming 10 Corso Como into a site-specific design environment. Under the creative direction of Eleonore Cavalli, the project introduced nine sculptural furniture pieces that collectively explored the intersection of art, architecture, and functional design.
Sculptural language defines form and function
The collection, therefore, positions furniture as a spatial system rather than a set of isolated objects. Key pieces include the Stealth bed, conceived as a suspended platform, and a corresponding coffee table featuring a layered glass surface formed through successive cotissi fusions. As a result, both pieces emphasize precision and structural clarity.
In contrast, Blob introduces a more organic vocabulary. The chaise longue adopts a continuous, joint-free form, while upholstery wraps the structure like a second skin. Moreover, graphic metal accents provide subtle contrast, reinforcing the balance between softness and rigidity.
Meanwhile, the Axiom dining table expands domestic furniture into an architectural gesture. Designed as a central, almost ceremonial object, it anchors the surrounding environment. Similarly, Carter extends the collection outdoors, maintaining the same structural coherence through upholstered seating adapted for exterior use.
Materiality as a driver of spatial experience
Across the collection, material selection plays a central role. Rather than serving decorative purposes, materials such as natural stone, vitrified surfaces, and complex textiles define each object’s identity. Consequently, the pieces merge advanced production techniques with manual craftsmanship, highlighting the dialogue between technology and tradition.
This approach allows each element to intensify space without overwhelming it. Instead of dominating interiors, the objects create layered environments that feel immersive and precise. Therefore, the collection aligns with a broader shift in contemporary design toward experiential spatial narratives.
Visual storytelling extends the installation
Complementing the physical installation, Swiss photographer Federico Hurth developed a parallel visual project. His images, which focus on shadow, contrast, and architectural framing, extend the collection’s conceptual framework beyond the exhibition space.
As a result, the collaboration operates across multiple media, combining furniture design with photographic interpretation. This dual approach reinforces the collection’s position within Milan Design Week as both a design showcase and a broader artistic statement.
Ultimately, the Visionnaire x NM3 project demonstrates how contemporary furniture can function as a mediator between body, space, and material. By integrating sculptural form with technical precision, the collection redefines the role of furniture within architectural environments.