Yohji Yamamoto returned to Paris with his latest womenswear collection, taking over the historic Hôtel de Ville. The Japanese designer continued exploring the art of deconstruction, expanding on ideas first introduced in his menswear collection earlier this year. Through layering, fabric manipulation, and avant-garde silhouettes, Yamamoto once again redefined contemporary fashion.
A Theatrical Showcase of Deconstructed Design
As the audience—including Chappell Roan, Michèle Lamy, and JID—settled into their seats, soft instrumentals filled the venue. The show began with a striking first look: pinstriped trousers reshaped into asymmetrical skirts, secured with leather rope. Paired with sheer turtleneck tops and flowing leather jackets, the ensembles embodied Yamamoto’s signature all-black aesthetic.
Throughout the collection, traditional garments took on unexpected forms. Coats flipped upside down, fastened with excess fabric, while exposed cables intertwined with triangular panels. The designer’s meticulous approach to deconstruction transformed classic tailoring into sculptural works of art.
Bold Colors, Textures, and an Emotional Finale
While black dominated the collection, purple emerged as a key accent, appearing on reconstructed car coats and strapped boots. Leather and wool samples fused into a structured dress held together by metal hoops, emphasizing Yamamoto’s commitment to craftsmanship. Additional highlights included leather corsets, ruffled gowns, and frayed outerwear, each contributing to the collection’s dynamic energy.
For the finale, models walked the runway in simple black coats, pairing up to assist one another with care. This subtle yet powerful conclusion underscored the human connection at the heart of Yamamoto’s designs.
Take a closer look at Yohji Yamamoto’s FW25 womenswear collection in the gallery above.
