Bold strokes of vibrant colours dance across canvases, each telling a cultural richness and agricultural significance story. Oregon State University’s Strand Gallery and Hatfield campus proudly present an extraordinary exhibition showcasing the remarkable artistry of Betty LaDuke, a beacon of creativity and activism whose work spans over six decades. LaDuke’s masterpieces, adorned with textures of dried paints, beckon viewers to immerse themselves in her profound reflections on agriculture and humanity.
The exhibition, which commenced on January 9th at the Strand Gallery on OSU’s campus, promises an enriching experience for art enthusiasts and agricultural aficionados alike. Running until March 21st, the exhibit offers free admission to the public every Wednesday and Thursday from noon until 1 p.m. in Room 440 of the Strand Agricultural Building.
Simultaneously, a complementary display graces OSU’s Hatfield Marine Science campus, captivating visitors with LaDuke’s evocative pieces until June 14th. Open on weekdays from 8 a.m. to 5 p.m. in the Gladys Valley Marine Science Building, this exhibit serves as a testament to LaDuke’s enduring legacy.
To commemorate this artistic milestone, receptions will be held at both locations. The Strand Gallery will host a reception on February 22nd from 4 p.m. to 6 p.m., featuring an enlightening talk by LaDuke at 4:30 p.m. Meanwhile, Hatfield’s reception will occur on February 21st from 2 p.m. to 5 p.m., with the artist’s insightful discourse scheduled for 3 p.m.
Curated by OSU’s Agricultural Sciences’ Art About Agriculture, the exhibits showcase a diverse array of LaDuke’s collections, each resonating with themes of agriculture and the empowerment of women. Owen Premore, the directing curator, emphasizes LaDuke’s profound celebration of agricultural workers worldwide, especially women, and her astute observations on the socio-economic and environmental challenges they face.
Key highlights include “Mali: Three Goats” and “Mozambique: Dreaming Goats” at the Strand Gallery, symbolizing the global significance of agriculture, while Hatfield’s exhibit features pieces from LaDuke’s “Turtle Wisdom: Personal, Political, Playful” collection, reflecting her advocacy for environmental conservation.
LaDuke’s activism transcends her artwork, as she passionately advocates for understanding and connection. Through her poignant creations, she underscores the interconnectedness of humanity and the Earth, urging viewers to cherish and protect our planet.
Notably, LaDuke’s ties to OSU run deep, with her generous donations of artwork dating back to 2011. Her altruistic contributions, totalling over 30 pieces, underscore her commitment to fostering awareness and appreciation for agricultural sustainability.
Ashly Mauer, the assistant curator of Art About Agriculture, meticulously curated the exhibits, ensuring a cohesive narrative that honours LaDuke’s multifaceted artistry. Despite the vibrant palette adorning the gallery walls, Mauer masterfully orchestrates a harmonious flow, guiding viewers through LaDuke’s compelling messages with ease.
For students like Maryann Ackerman, LaDuke’s art catalyzes broader conversations on sustainability and global citizenship. Ackerman believes that on-campus art initiatives create inclusive spaces that enrich the student experience, fostering a profound connection to our planet and its stewards.
As visitors traverse the galleries, they are invited to embark on a transformative journey that transcends artistry, embracing a collective responsibility to nurture and safeguard our agricultural heritage for generations to come. Through LaDuke’s visionary lens, the seeds of awareness are sown, cultivating a flourishing landscape of agricultural enlightenment and environmental stewardship.