In a groundbreaking turn of events, Indigenous artists took centre stage at the 2024 Venice Biennale, with Mataaho Collective and Archie Moore emerging as the recipients of the exhibition’s top prizes. The prestigious Golden Lion for the main curated exhibition was awarded to the Mataaho Collective, comprised of four Māori women artists: Bridget Reweti, Erena Baker, Sarah Hudson, and Terri Te Tau. Meanwhile, the Golden Lion for the National Pavilion was bestowed upon Archie Moore, representing Australia at this year’s Biennale.
The Mataaho Collective, hailing from Aotearoa (New Zealand), captured the hearts of the jury with their striking installation titled Takapau (2022). Constructed using woven and latticed polyester hi-vis tie-downs, the installation serves as a passageway in the Arsenale section of the Biennale. Described as a fusion of cosmology and shelter, Takapau pays homage to matrilinear traditions of textiles, offering a profound exploration of identity and space.
Jury president Julia Bryan-Wilson praised the Mataaho Collective’s work, highlighting its impressive scale and innovative approach to storytelling. Similarly, Queensland-based artist Archie Moore garnered acclaim for his thought-provoking installations at the Australia Pavilion. Moore’s poignant exploration of his family history, inscribed on the pavilion’s walls, resonated deeply with viewers, inviting reflection on the enduring legacy of Indigenous communities.
The third juried prize, the Silver Lion for a Promising Young Participant in the International Exhibition, was awarded to Karimah Ashadu, whose captivating video Machine Boys (2024) sheds light on the plight of motorcycle taxi drivers in Lagos. Ashadu’s intimate portrayal of economic precarity and resilience struck a chord with the jury, showcasing the power of art to illuminate social issues.
The jury, chaired by Julia Bryan-Wilson and comprising international curators from diverse backgrounds, also recognized the contributions of several other artists. Palestinian artists Samia Halaby and La Chola Poblete received special mentions for their innovative works, while the Republic of Kosovo was commended for its thought-provoking sculptural installation by Doruntina Kastrati.
In addition to celebrating contemporary talent, the Biennale honoured Anna Maria Maiolino and Nil Yalter with the Golden Lion for Lifetime Achievement. Maiolino, renowned for her contributions to Brazilian art, dedicated her win to her adopted country, Brazil. Yalter, acclaimed for her research on immigration and visual arts, emphasized the importance of peace in her acceptance speech.
Italian Culture Minister Gennaro Sangiuliano affirmed the Biennale’s commitment to artistic freedom and autonomy, echoing curator Adriano Pedrosa’s vision for the exhibition. As the Biennale continues to captivate audiences, the triumph of Indigenous artists serves as a testament to the enduring power of creativity and cultural expression on the world stage.
